Ball of Confusion

Spiral 2

Remember my post “Top 10 Ideas From Amongst Which At Least 1 Must Be Chosen Before Another Idea is Had” ? Well, I was working on one of them last night, and it so spiralled out of control beyond my wildest expectations that my head became one big, giant “Ball of Confusion”!

I tossed and turned until I found the answer: “Throw the I Ching!”

I know, I know; that’s so New Age (yuck), or so very Sixties (before my time), and it’s not really an answer.

Whatever.

I find the I Ching is actually very good at providing me with answers, albeit of the obscure kind, like the ones I provide when I read my Art Fortunes. (Note to myself: List of Ideas Goes to 11.)

In this case, the interpretation I can bring to my I Ching reading is this: “Shut up and get back to work.”

Hmm. For that bit of advice, I suppose I could have just called my mother.

Spiral 1

Medium Practice (For Ayni)

This post is for Ayni, who liked my little notebooks and wanted to know if she could buy something and have me send it to the Netherlands.

Besides just being a wonderful person, Ayni will always have a place in my heart for introducing me to someone who could ask me “In what medium do you realize your practice?” with a straight face.

So, to answer that question in a size that will fit in an (albeit large) envelope:

2000 women installation shot

Not a great photo, but those are 2000 watercolor drawings of nudes from my installation ‘2000 Women’. Can Özgün of the British Council wanted me to do something special just for him – with the excuse that my other installation ‘Nü-Nar’ (Nude-Pomegranate) wouldn’t ‘fill the gallery space.’

Antalya nunar installation

I redid the ‘Nu-Nar’ installation in Antalya (sorry – another bad photo) – and I think it shows that Mr. Özgün was wrong about the space, but right about getting me to do some more work.

What can I say? I guess I am just one of those artists that needs to have a deadline.

By the way, I ‘recycled’ the ‘Nars’ for an installation called ‘Manav’ (Grocery) done in an empty shop that used to be – ta da – a grocery.

Manav (Deborah Semel Demirtaş)

I had to sew them all together to get them to stand up, but I could rip a couple of stitches and pop one in an envelope for you to hang up, Ayni.

Or, if you want something else to hang up, how ’bout a mouse?

super fare

Or maybe a bird?

pembe kus

Both of these were from an installation I did a few years back.

Ayna Bahce-Filmler_agactaki kuslar (Garden Filmstrips_Birds in Trees)

So, in what medium do I realize my practice? Trees?

Actually, I’ve got a couple of really nice sculptures made from trees, with a little rebar, but they wouldn’t fit in an envelope.

But I could send you a couple of little drawings of some cotton pickers…

Soke Pamuk toplayanlar 1

but you’ll have to get your own painting easel to display them on.

I suppose you could just hang them on a wall, like a ‘regular’ drawing…
Swimming

ishik

Although I’ve been told that these are ‘too dark’ to appeal to people.

What people, I wonder?

(Oh, and as far as medium practice goes, these ‘regular’ drawings are oil pastels that started out as photographs that I digitized and then altered in photoshop and then used the altered photos as sketches that I printed out on drawing paper and drew on top of. FYI.)

Lots of practice.

Kisses,

Deborah

Of Boats and Boatyards

Of Boats and Boatyards

Well, my latest oil painting was apparently a success – or at least it was well-received by the person it was done for, and it got me into a ‘production phase’ – which, appropriately, is much more productive than the ‘consumption phase’ I was in previously. I suppose I could think of that as having been an ‘incubation phase’ – except that it involved an awful lot of television. At any rate, I was loosely commissioned (“Sure, go ahead”) to do a few more pieces. Yes, they are oils. But even though the end product is an oil (pastel on paper –I just don’t do oil on canvas), the process is still one of collage. I began by taking photos of the boatyard… wordpress agan 2 wordpress agan1 Then, I downloaded them onto my computer, and started doing a bunch of cutting and pasting. I described the process to a friend by comparing it to Georges Seurat, who, like so  many others, Impressionists, as well as before and after, used to go out and sketch – ‘in plain air’ – and then take the sketches back to the studio and use them in their paintings – not just copying, but rearranging, as appropriate. (Believe me, I do a lot of rearranging…) So, from photo to computer to print-out to pastel drawing, the results of a complicated concatenation of technological cut-and-paste is this: aganlar1 (1) aganlar1 (2) aganlar1 (3) So, Wednesday we’ll go down to the boatyard and see what the response is in person. Hmmm.