And the totals are in!
OK, actually, I did not really do any quantitative data analysis – not in the spirit of fortunetelling, I don’t think; however, it did strike me as odd that the people who came to the Art Fortunetelling sessions (see here for details) kept turning up the same cards.
What are the odds that some cards would be turned up 3 times and others none at all?
I don’t know. (Ask a statistician or a mathematician or some other kind of ician if you are really interested.)
All I can do is let you in on which cards turned up 3x :
The Golden Ball
Considering that the meaning of each card depends on the other cards in the reading, and that all readings are subjective, I can’t give a hard-and-fast explanation of what these mean.
Best to just look at them and ask yourself the question that you might ask yourself in the presence of any work of art:
“What do I see here that tells me something about what is going on in my world?”
When in Ankara, the most important thing to do – the only really important thing to do – is to stop at the Museum of Anatolian Civilizations.
This is definitely one of the best museums in the world.
And it has provided me with tons of inspiration.
This piece – I called it ‘The Turkey Piece” – is something I did nearly about 20 years ago; it was in my first exhibition in Ankara at the Dost Gallery (which, unfortunately, no longer exists).
It was nice to see on display one of the inspirations for this piece
In fact, there were 5 of these cute couples on display – somewhere around 5 cm (2″ ) each.
Another of my favorite objects at the museum is this strange metal tool:
I drew a sketch of it the first time I was at the museum – 1993. A few years ago, during a bit of housecleaning, I found that sketchbook on a shelf among a bunch of other things that were collecting dust, but which I couldn’t throw out. So I decided to cut up that sketchbook and use the parts in my collages…
These are the collages I will be using in a few days for my Art Fortunes.
If you’re in Bodrum and would like more information on this, just click here.
If you’re in Ankara, I’d love to see you…
On the occasion of “18 ARALIK ULUSLARARASI GÖÇMENLER GÜNÜ”,
the Bodrum Kaymakam’s Office invited me, along with 4 other ‘yabancı‘, to attend an evening event at the
Vali Galip Demirel Vilayetler Evi / Gölbaşı-ANKARA.
We’ll be showing off the contributions to society made by the Migrants of Bodrum… I’ll have the soundtrack and drawings frommy recent exhibit ‘Homesickness/Sıla Hasreti’ (along with other stuff…). For more on that exhibit, along with a slideshow, you can look under the heading ‘Installations’ (or click here).
It’s close to the end of another calendar year – what a better time to give a good once-over to the studio, getting all those papers in order…
or at least clear off enough work space so that I can get back to work.
First up: a watercolor drawing for the Emanetçiler web page.
And then finish off a couple of new collages.
And speaking of collages, I thought I’d engage in a little experiment on the cusp of 2015:
Yes, inspired by the response to my coffee-cup readings at the Yerleşim Cafe way back when, I decided it was time to get back into the fortunetelling business – this time, with art.
Why not? We’re used to looking closely at a work of art to try to discover the layers of meaning hidden in its deepest, darkest recesses – aren’t we? (Well, aren’t we?)
So, I devised a basic system of telling fortunes from collages – starting with a basic ‘pack’ of 52 ‘cards’. For example,
The Three Trees
And of course all readings are free.
Today at the end of my ‘1-woman yoga class’, Tüğce (yoga teacher – so together we are a ‘2-woman class’) asked me where she could see some of my collages on-line – prompting me to get around to this post.
Rather than something new, the photos below are from an exhibit I organized a couple of years ago called “Vitrinler’de Sanat / Art Windows”. The idea was to put artworks in empty shops in Turgutreis – because at the time it seemed the empty shops outnumbered the full ones – which wasn’t doing much for morale, or for business.
The artwork ran the gamut from watercolor ‘scenes’ to a ‘dead fish installation’ by a ceramic artist… rather a nice variety, I might say. I had the window of a former greengrocers, so I decided to put in a basket of pomegranates.
(Recycled from a 2000 installation called “Nü-Nar (Nude Pomegranate) – but perfectly ‘suitable for audiences of all ages’ – with the ‘nü’s’ directed towards the inside of the shop.) Next to the basket was a “fruit pyramid”.
Another artist in the exhibit who works with paper is Uta Çiner.
It’s kind of hard to see what she was doing in there – so here’s another shot, of ‘the work’:
And I guess it’s still kind of hard to see exactly what this is: a very large papier mache sculpture.
To really see what she does, here is a link to her website, http://kikkula.de/, which shows work by Uta and her husband Tuna. I just went to visit them at their shop in Gumuşluk yesterday, to pick Tuna’s brain on books – he makes BEAUTIFUL notepads using a lot of SE Asian papers – and I got some good advice re: The Little Book of Pavement…
So, ideas from Tuna and a new ruler from Kadir, and we should be on our way…