The Atlantic…

water oil pastel 15 Oct 2017If you remember, “more water drawings” was on my list of “10 ideas”, and I have stuck to my resolution of not having any more ideas until I use up the ones on my list.

These two oil pastels are the first I’ve done since getting back from Portugal last month. It was refreshing to be on the Atlantic instead of the Mediterranean (or Aegean) for a change, but I was the only one in the water without a wetsuit – which might explain while I was only in the water for about two minutes.

In fact,  now that I look at these drawings, I realize I had forgotten that I was not the only one in the water without a wetsuit: The man on the left with the green towel also went for a swim for a couple of minutes.

In fact, his towel was blue, but there was already too much blue in his drawing for me. And in the interest of full disclosure, he was facing the other direction when I photographed him. And he was further up the beach. And the guy next to him – wasn’t.

(A digital camera and Photoshop are my 21st-century equivalent to 19th-century sketching in oil pastels… But I still love the oil pastels.)

water oil pastel 13 Oct 2017

 

 

Running with the Cows (or, “Til the Cows Come Home – Georgia Road Trip, Part 10)

For a long time I’ve been meaning to write about the Cows of Georgia. I’ve been meaning to write about them, because they were one of the ubiquitous features of our trip to Georgia last summer.  But that was a long time ago. So many ridiculous items (‘coups’, orange-haired presidents, dictatorial referendums, etc.) have taken their places on the daily agenda since then that the cows just sort of got left by the side of the road, so to speak.

In fact, during our trip, the cows were more often occupying the center of the road than the side of it. But since the time I decided to write about the Cows of Georgia and the time I actually got around to writing about them, I’ve had a lot of time to wonder why it is that I find cows so fascinating.

Picture: “Hanging out the Laundry” (it’s a box)

Box_ÇamasirOpen

I have an ex-boyfriend who grew up in a small town in Germany who once told me he had always wanted to have a cow for a pet. At the time, I thought that was sort of strange. Now, however, I can see the attraction. In addition to the side-benefit of daily dairy products, cows are definitely more human-friendly than cats, and while not quite as cuddly as doggies, they’ve got big, beautiful eyes that they obligingly turn in your direction the minute you point a camera at them – unlike doggies, who instinctually manage to look in the other direction the second you press the shutter (or tap your touch screen).

Picture: Collage with Cows

film-gibi

The cows in the collage above are photocopies of paintings I did of (duh) cows. They are actually pretty small (about 10x15cm), and I did them all in one sitting because I was tired of people looking at me like I had two heads when I didn’t nod yes when they asked, “So, you do oil on canvas?” I made a dozen or so, and hung them in a “3-person-exhibit” at the Gümüşlük Art House shortly after I had first moved to Bodrum. The other 2 ladies exhibiting were as suprised as I was when a French tourist came in and bought almost all of them. “What? Don’t you have cows where you come from?” asked one of the ladies. All I could do was pocket my cash and smile. “Actually, we do.”

But we don’t have them on the beach. At least not on Long Island.

Kadıkalesi is the first place I ever saw a cow wandering on the beach, and I was fascinated. It was not an uncommon occurrence, either. In the wintertime, when the beaches were empty of tourists, they’d be hanging out with their kankas, enjoying a bit of beach grub.

I never did see a cow on the beach during the summer tourist season, but I did get to wondering, and after a couple of cows made their way onto trays that formed a wall installation with a couple of naked Greek statues and some Ottoman women on their way to a hammam (and I am really sorry I don’t have a picture of that), I finally did a picture I called “Cows on the Beach”. It was inspired in part by the witty lady from the exhibit in Gümüşlük.

Picture: Cows on the Beach

Welcome to Turkey

But away from the cows of the Aegean and on to the cows of the Black Sea…

Picture: Cows in the Highlands

georgia-mitrala-cows-3191

Yes, there were cows hanging out by the sea in Georgia, and in “the lush Georgian highlands”, but like the ones in Turkey, they were solitary, or with at most a single friend or family member. The ones inland on the way from Üreki to Kutaisi were in herds.

Nothing wrong with that. Kinda makes sense. “Herd of cows”… (“Heard of cows?”… heh-heh-heh….)

But herd of cows on a highway? Well, no actually…

Returning from Kutaisi, we had apparently hit cow rush hour, and the traffic was horrendous. It was moving in a maddeningly slow pace, and what’s worse, in the wrong direction.

I’m sure there’s a metaphor in there somewhere, but I just don’t have the energy to tease it out. It’s bayram, and the heat wave from Libya has arrived at our doorstep and is expected to last until the end of the holiday.

And then there’s another national holiday coming up, I’m sure, in a few weeks, marking nearly a year since we started out on our Road Trip to Georgia. In fact, the anniversary is not to mark our road trip – but don’t get me started on that, because I don’t have the energy for that, either. Enough to say that last year, we had accidentally decided to take a holiday abroad at a very interesting time. This year, we’re doing it on purpose. And when we get back home, all I want is for everything to be normal again. And I don’t want to have to wait until the cows come home.

I hope you all have enjoyed joining me on this vicarious, virtual trip around Georgia and some of Turkey. I know I promised lots of things that I didn’t deliver on (like a description of Zafer and the Laz Beach Party at Limanköy, and more photoshopped bathers, for example), but like I said, and as you know, a lot of things have happened over the past 365 days. To keep up with me on this journey we call – well, this journey we call something or other –  feel free to sign up for my Blog, which, I promise, will from now on no longer engage in 10-part series of anything.

And for now, just a few more cows… 

Picture: Cows on the Highway

Cows

Picture: Cows Still on the Highway, Receiving a Good Talking To

Cows getting instructions from my husband

Picture: Cows on the Highway (but at least heading in the right direction now)

Cows in the right direction

Picture: A Smiling Cow on the Highway

Cow smiling

Picture: Cow in a Collage

Nature out of Balance

Picture: Another Cow in a Collage

Toredor

Centering (Georgia Road Trip, Part 5)

Centering (Georgia Road Trip, Part 5)

Central Anatolia! One of my favorite places in the world, with fairy chimneys, underground discos, no, wait, forget the disco (been there, done that)…

HacıAli likes to tell the story of how one day, driven into a stark-raving frenzy by my disco-neighbors, I smashed all the pots in front of his shop. (About an hour later when I came to, I went back and rather sheepishly said I was ‘done shopping’, and could he please ring up my total. His response: “Let me show you where the expensive stuff is, for next time.”)

Picture 20 Chez Grandpa Ali avanos-haci-ali

Now that I no longer own a house over a disco, I have a standing offer from HacıAli to stay in his old house above the shop, since it (the house, not the shop) is usually empty. Considering that it’s more than 10 hours on the road from Bodrum to Avanos, we don’t get up there much, but Harun and I took HacıAli up on his offer on our way up to Georgia. It got us out of the Aegean and on our way towards the Black Sea – with planned stops at ‘The Hittite Sites of Central Anatolia’. At just about the half-way point between Konya and Çorum, not only was Avanos conveniently located geographically, an overnight stop there also gave us the opportunity to ‘feel the pulse of the nation’ in the wake of Turkey’s ostensibly ‘unsucessful coup attempt’.

I know, I know: post-failed-coup Emergency Rule is not the best situation to be taking a road trip in, but we’d planned it in advance (the road trip, not the coup, obviously!), and I was going to have to be back in the Aegean in September, because I was going to be teaching part-time at a university close to where we were moving; in fact, I was supposed to be planning my classes during our road trip, leisurely dreaming up dialogs on architecture and sustainability while driving a fuel-burning vehicle thousands of kilometers for my personal enjoyment…

But alas, it was not to be.

As soon as we sat down in front of HacıAli’s – where we happily sat for hours, drinking Turkish tea and ‘taking the pulse’ – I received a text-message from a friend containing a PDF file with a list of all the educational institutions being closed because they ‘had ties’ to the ‘coup plotters’.

And thus, as Harun likes to say, “I was fired before I even started”.

Now, I can pretty much vouch for everyone in the department I was going to be teaching at and say that none of them ‘had ties’. And it was this apparent indiscriminateness of what some might call the ‘post-coup efforts to right the country’ that made it so difficult to ‘take the pulse’ as we wanted. Harun and I were pretty much the only people we found who didn’t first lower their voice and look around (and in one case, put away a cell phone ‘because it could listen’) before venturing an opinion on the only thing that was on anybody’s mind anywhere between Bodrum and the Georgian border (which was where we were headed, remember? Don’t worry, we’ll get there…).

In the interests of protecting the privacy of the possibly (but not necessarily) paranoid, I will just randomly intersperse some comments along with some photos. Just chalk everything up to ‘Anonymous’.

Picture 22 Zelve zelve-peaking-through-the-cave

Not a Hittite site, but a network of cave dwellings just a few kilometers from Avanos. (Full disclosure: we did not get to Zelve until our way back from Georgia; it was hot, and we had tea to drink and pulses to feel.)

(Pulse: “Just like at Çanakkale, the brave Turks took to the streets to defeat the enemy and preserve democracy… What are you looking at on that computer? Are you nuts? Delete! Delete!)

Picture 23 Hattusas: Cowshittite-cows-3113

Hattusas is even more like an open-air museum than the open-air museum in Cappadocia famous for its cave paintings, since here in Hattusas you drive from ‘exhibit’ to ‘exhibit’ (or walk, if you are in good shape and prefer not to burn fossil fuel). No cave paintings here, but lots of interesting stuff, like the layout of ancient Hittite dwellings, and cows. Whether or not these cows were descendants of ancient Hittite cows, I cannot say; however, cows did figure prominently in our journey from Hattusas onwards.

 (Pulse: “Who am I to say anything? I’ve got no one with any power backing me up. No one in the position to say something is saying anything. If no one’s got your back, saying something would just be the epitomy of stupidity.”)

Picture 24 Hattusas: Lionshittite-lions-3100

 Yup, me, there on the right. To give you an idea of scale. Lion on the right is original, lion on the left is to show what the lion on the right used to look like once upon a time.

(Pulse: “This was planned. It’s the continuation of reforming the military, removing those who are still in the way of what Turkey and the US want to do in Syria.” **)

** Note: Less than 2 weeks later, Turkey invaded Syria…

Picture 25 Hattusas: the Tunnelhittite-tunnel-3104

 Yup, this time it’s Harun on the right for scale. Very cool tunnel. In every sensed of the word. Outside the tunnel it was 35 degrees (95 in farenheit). I quite enjoyed the tunnel… I could just about imagine a procession passing through here…  By the way, the brochures you get at Hattusas show some really cool reliefs, which you can see at Yazılıkaya (“Stone with Writing”), just up the road from Hattusas. But for the really, really cool stuff, you need to go to the Museum of Anatolian Civilizations in Ankara, which is filled with things dug up from  various Hittite sites all over Central Anatolia, and lots more.)

(Pulse: “The end of the US Empire is at hand; that is only natural, all empires come to an end. Power is shifting to Central Asia… Anyone who is innocent will be released from detention.”) 

Picture 26 Alacahöyük: End of an Empire (Hittites )Image result

Of course, seeing the artefacts in a museum in Ankara isn’t quite the same as seeing them “in situ”. Alacahöyük (a “höyük” is a “mound”, as in “burial mound”) is done up rather nicely; you can walk around the site and peek in the graves (note the crown on this guy here) before you go into the museum building. There are no grazing cows here, but if you’re lucky, you may run into the local geese herder marching his flock home in the evening. Also, there is a lovely cafe across the road, run by a woman from Erzurum who makes delicious gözleme and who will engage you (or your Turkish-speaking companion) in long discussions about local politics and rail against all things in general.

(Pulse: “Foiled coup? Foiled? Oh no, not at all, it was very successful…”) 

For everything you ever wanted to know about the Hittites and even more, check out this amazing web site. And just hang in there, we really are going to Georgia. I think we might even get there in the next installment…

Big, Big Lake (Georgia Road Trip, Part 4)

Big, Big Lake (Georgia Road Trip, Part 4)

With ‘democracy’ in Turkey resumed and in full swing, we continued on our way to Georgia, ‘slowly-slowly’, as they say in Turkey. We meandered from the Menderes River waterfall to Lake Eğirdir, passing a wind farm in the middle of nowhere (reminding me that there is a moral component to aesthetics and explaining why objections to wind turbines on the Aegean coast because they are ‘ugly’ turn my stomach) and a police road block in the center of Isparta (reminding me we were in a ‘post-coup-attempt apocalypse’ that required rerouting everyone around a huge jandarma facility that had been blocked off by police cars and tanks) to get to the road that wound down to the lake. A bus driver we had met back by the waterfall (See Part 3) had tipped us off to the fact that we could find cheap pensions on the peninsula that juts out into the middle of the lake, so naturally, that’s where we headed.

Picture 15: Rooms in Eğırdiregr-2-sahil-pansiyon-3062

This little strip of land has a lot of character, what with stone houses once owned by Greeks (I believe, as it would explain a lot of things) in various states of abandonment, disrepair and renovation into boutique hotels. The almost imperceptible pause taken by the owner of the first place we enquired at led us to move on – because the pause is one that I have come to recognize as accounting for the time it takes to calculate whether or not to double or triple the price of a room based on the looks of the customer – to a little place on the other side of the peninsula a few blocks away (this is not a very large peninsula) where the owner also gave us a once-over when we enquired about a room – but in this case, the pause was more of an “I-doubt-that-these-two-are-worth-the bother-but-beggars-can’t-be-choosers” kind of a look – and since the price was right, the place was clean, and well, it was only going to be for one night, anyway (clearly, we were all making calculations based on the same criteria of skepticism-divided-by-need), this is where we ended up.

Picture 16: Watering the Garden in Eğırdiregr-4-watering-kabak-3059

It turns out that Ali, the owner of the ‘Sahil Pansiyon (Shore Pension)‘, is really a wonderful guy, once he warms up to you (as usual, it was Harun he warmed up to first, when he discovered that Harun also belonged to the Universal Brotherhood of Fishermen), and the Sahil Pansiyon is really a wonderful (albeit no-frills) place, its sign (advertising ‘all rooms with toilets and showers’) harkening back to an earlier era in Turkish Tourism. As Ali explained to us (while Harun helped him water his pumpkins, tomatoes and fruit trees from water pumped out of the lake), he (Ali) had given up his previous life of fishing on the lake and gotten into a bustling Eğirdir tourism industry by transforming his old family home into a pension.

Once upon a time, the lake came practically up to their front door. Nowadays, there’s a road between the buildings and the shore, and the tourists passing by the pension drive over the pebbles spelling out ‘Sahil’ that are embedded in concrete in front of the pension’s threshold. Nowadays, in fact, there are few tourists passing by, and even fewer stopping (Ali blames this on 1. ‘wrong policies’, 2. ‘bombs’ and 3. the ‘post-coup-attempt state-of-emergency’), but (and I can understand why) both he and his wife (who has diabetes and isn’t much on conversation, but sits in front of ‘reception’ in the Sahil’s ‘breakfast area’, where there’s no breakfast, because it’s not worth the bother) prefer the lake to their apartment in downtown Isparta.

Harun and I both loved the lake, too, and if it weren’t for the fact that we were trying to get to Georgia, we would probably have stayed on for a few days, but as it was, we settled on a fish dinner by the lakeshore and a room cool enough to fall asleep in, and then headed on.

“Next stop, Konya.”

Picture 16: Fish (details)egr-1-fish-rest-3066

 This is a close-up of our Fish Dinner in Eğirdir. Some points to note: 1. Fish on the left is sea bass, farm-raised and one of the two most common fish on the menu at every fish restaurant in Turkey; fish on the right is lake bass, from Eğirdir; 2. Cell phone on the table; NOT having a cell phone on the table is almost unheard of; 3. No raki on the table. NOT having raki on the table at a fish restaurant is almost unheard of. Or used to be. More and more (and more) as we headed into the Turkish hinterlands we saw signs advertising ‘alcohol-free fish restaurants’. In Eğirdir, which is in the province of Isparta, we found some fish restaurants on the shore that sold raki (and may I point out politely that no one is forced to drink it), whereas next-door in Beyşehir, which is on the other side of the provincial borderline bewteen Isparta and Konya, we found schoolchildren on public-school-sponsored summer-camp outings to the mosques on the shore (with boys loaded onto one bus and girls on the other)…

(Here I’ll share a tidbit of information from Wikipedia with you that I thought was interesting and explained to me why I always have a hard time spelling the name of this lake: “The town and the lake were formerly called Eğridir, a Turkish pronunciation of the town’s old Greek name Akrotiri. Unfortunately,Eğridir means “it is crooked” in Turkish. Therefore, to remove the negative connotations of the name, in the mid-1980s the “i” and the “r” were transposed in a new official name, thus creating Eğirdir, a name that evokes spinning and flowers, although many people in Turkey still call both the town and the lake by its former name.”)

Picture 17: Konya – Prayingkonya-mevlana-3082

Konya is the home of Mevlana – Rumi – the sufi mystic – and one of the most-touristed cities in Turkey, under normal conditions. But we were travelling under ‘extraordinary conditions’ – and there was not a tourist in sight. Instead, the complex in which Rumi is entombed was filled with residents of Konya (one of the most conservative cities in Turkey), taking advantage of the ‘free entrance to the museum’ that had been declared by the president (or was it the prime minister? I forget) as ‘a present from the government to the Turkish people’ for taking to the streets to ‘put down the attempted coup’. (Personally, I like the idea of free museums for the people – but it would have been nice if it didn’t require a ‘coup’ to happen…)

Picture 18: Konya – Whirlerskonya-mevlana-3088In case it’s not clear from the photo, the whirlers are mannequins. The Mevlana complex has a lot of ‘tableaux’ like this set up to lend authenticity to the place. We also got treated to a group of mehter musicians dressed up in Ottoman regalia (“for centuries, mehter music accompanied the marching Ottoman army into battle”) and performing right in the middle of a traffic circle on the way to the museum (I’m not sure if this has become standard procedure, or if this was another one of many ‘post-coup gifts to the people’…).

Picture 19: Konya – Where Rumi is Buriedkonya-mevlana-3080

(To get the next installment of Georgia Road Trip as well as “post-road-trip posts” delivered right to your Inbox, just Click on ‘Follow’. Hmmm, I wonder what it’s gonna be…)

Aphrodisias is for Lovers                      (Georgia Road Trip, Pt. 2)

Aphrodisias is for Lovers (Georgia Road Trip, Pt. 2)

Aphrodiasas was the first scheduled stop on our epic road trip. It’s not exactly close to Bodrum, and it’s not really on the way to anywhere, but I’d heard it was a great place (“10 best ancient cities in Turkey”), and had a sculpture studio that was famous in its day (5th century? I forget. I’m bad at dates, so I tend to just say “5th c” for everywhere in Turkey that’s pre-Modern and post-Hittite and not Byzantine, Selcuk or Ottoman).

And since we had to start someplace, Aphrodisias seemed as good a place as any. It fit nicely about half-way between Bodrum and Eğirdir – and Eğirdir was about halfway between Aphrodisias and Konya – which was about halfway between Eğridir and Avanos, according to various web-calculators. This meant 3-4 hour stints of driving for Harun – who doesn’t like to let me drive. (When we got to Avanos, my friend Hacı Ali upbraided him for this: “You think she doesn’t know how to drive? What do you think she did before she met you? You gotta get over this…”)

At Aphrodisias, Harun was hoping to find figs, as it was the season for figs, and Harun believes that the best places to gather figs, and olives, are at ancient Greek sites in Turkey. Although another of Hacı Ali’s rants was to be about people who pick things that don’t belong to them  (“they call it göz hakı ‘eye rights’, but it’s just plain hırsızlık ‘stealing’ “), whenever we start to contemplate a road trip, one of the first factors Harun takes into consideration is what’s in season.  I think this goes back to an earlier road trip to Tlos (up in the hills above Fethiye) when we ran into a little old man who insisted that the site that we had to pay to get onto was his land and the government had no right to take it from him and as far as he was concerned we had his permission to go ahead and pick as many olives as we liked.

Since then, we have made it a point to purchase “museum cards” good for a year’s worth of free entrance to most ancient sites in Turkey, and to make sure we go when the olives are ripe. This year we were expecting to hit ripe olives on our way back along the Mediterranean. Aphrodisias was supposed to be for figs (for Harun) and carob (for Me).

We were being somewhat well-behaved tourists, parking our car outside the site like the sign said (athough not following instructions to go to the paid parking that was unnecessarily far away and surrounded by souveneir shops). After that, we walked along the road heading into Aphrodisias. It was almost like a processional way, lined on one side by some very large and lovely carob trees as well as pistachios. (Unfortunately, there were no carobs on the trees, and – note – pistachios are related to the same trees that give us turpentine, which is why I don’t particularly like trying to eat unripe pistachios off the trees.)

As you have read this far without any visual stimulation, I suppose it is about time that I make two important confessions. One: Although I’ve gotten better about carrying my camera with me, I have a habit sometimes of just carrying it, and as a result, I have no pictures of these lovely carob trees, or of a lot of other people, places and things that we encountered during our trip. (But no worries, as I plan to be enlivening this modest little travelogue with some artistically enhanced photographs). Two: Although I’d love to be able to say “along with my sketches”, in fact, I ended up doing about as much sketching as Harun did fishing. My only excuse is that I was just too busy travelling).

With the exception of a group of what appeared to be international archeology and/or architect students, we had Aphrodisias entirely to ourselves. There were two reasons for this. One: Various and sundry bombs going off at assorted places in Turkey (the press likes to refer to it as “a spate of”). Two: The “darbe” – Turkish for “military coup” – an “attempted” one of which had just been “foiled” less than a week before we took off on our road trip. Considering that we had been planning this for about a year, we were not about to be put off by a little coup. Or even by the government’s declaration of OHAL – the Turkish acronym for “Emergency Rule” (or the literal translation, “Extraordinary Conditions”), which apparently occurred sometime while we were traipsing around Aphrodisias, but which we were yet to learn of until the following day.

But enough of all that. It’s time for Aphrodisias in Pictures:

Picture Number 3 (for 1+2, see Part 1 of the Georgia Road Trip):
Aphrodisias: A Monumental Gate Under Renovation

Aph 1 2978

This was very big and impressive, but there was no apparent sign of anyone working on any renovation, although there were some plastic bottles up on top of the scaffolding filled with either paint or chemicals or something that had to do with renovation, I believe.

Picture Number 4:
Aphrodisias Stadium (with Dramatic Lighting by Photoshop)

Aph11 glowing track 3002

This was a very large stadium. Personally, I like the one at Magnesia, by Söke, because most of the seats are still buried under the hills, so it leaves quite a lot to the imagination. And also, on the way to the Magnesia stadium are a lot of figs and olives. (BTW, I decided to Photoshop the picture because the weather did not provide me a blue sky. And to help appeal to the imagination.)

Picture Number 5:
Arches and Seating and Weeds with Blue Sky

Aph 9 photoshopped stepps

There are a few arches still standing around the outside of the stadium. But there are a lot more weeds springing up among the seats. Many of which are edible (the weeds, not the seats). Since there were no figs, I enjoyed some of these (again, weeds). (Blue Sky courtesy of Photoshop.)

Picture Number 6:
Weeds at Aphrodisias

Aph 2 WEEDS 2995

Not all the weeds at Aphrodisias are edible. But the ones that aren’t also make nice pictures. (BTW, this is not Photoshopped. OK, it’s cropped – but cropping doesn’t count. Not in my book.)

Picture Number 7:
Signs of Life at Aphrodisias

Aph 7 rest for gorevli 3011

This was the first sign of life we saw at Aphrodisias after the guy who helped us get our Museum Cards to ding us through the turnstiles at the entrance to the site. (I’m not counting the scaffolding and paint at the top of the Monumental Gate, because those could have been there for years, whereas the samovar and thermos looked pretty recent.) Also note the improvised seating…

Picture Number 8:
Underfloor Heating at Aphrodisias

Aph 5 underfloor heating haa 3015

They’re also restoring the baths. You can see part of the tiled floor in the corner of the space, and how it was raised up above stones that heated up the place. At least I’m guessing that’s how it worked. I could be wrong.

Pictures 9-10-11:
Carvings from the Museum

Aph 4 3047 nice capital in muze

Aphrodisias includes little museum that has apparently been recently renovated and is truly beautiful. Well lit, nice blue walls, lighting, ventilation… I particularly liked these little marble carvings. Such a modest little woman – Aphrodite? Covering up her parts on the way back from a bath? Think Boticelli… (and I note the abscence of fig leaf – as we noted the absence of actual figs, alas…)

Aph 3 3050 Sculpture studio

Since Aphrodisias was the home of a famous sculpture studio, I’m guessing that this is a depiction of the God of Scupture Carving Something Magnificent…

Aph 8 sculptors carving 3052

And apparently the machismo we associated with the sculpture department (“Big Men in Big Boots”) back when I was in art school goes back centuries, too.

(From Aphrodisias, we head to Denizli in Part 3 of the Georgia Road Trip)

 

 

Prognostication

21st-century Ecosystem

If you’ve read some of my earlier blog posts, then you may know that I decided to take 52 of these postcard-size collages and turn them into a deck of fortunetelling cards. It seemed the logical thing to do, since the number of people really interested in looking at artwork seemed infinitessimely smaller than the number of people interested in my providing them with some kind of insight into their worlds. The Art Fortunetelling was my way of saying “ok”.

As I may have mentioned earlier, it was way easier for me to find some meaning in the cards than to try and put some meaning in them intentionally. Again, seems logical, if we get talking about art as a subconscious rather than a conscious carrier of meaning. In fact, it seemed to make so much sense that I decided it was time to make a second deck.

And considering that we are in a sort of transition stage – Will we be moving to Foça in September? Or will I just be going up to teach a couple of classes, and coming back down to Bodrum until we can get our act together and finally head (a bit) north? Will I even have students sign up for the classes? Will I get involved in something else even more new and interesting? How will our garden grow?

As soon as I finish up here I will probably go ‘throw the I Ching’ (or as the web site says, ‘toss coin virtually’), but in the meantime, I could go for some interpretation.

Let us say (for sake of argument, and so I can show off my newest collages) that I picked (without looking) the card “Lust”as my first card, my present subconscious, Lust

and then I chose (this time looking at all my choices of cards) the card “Mom” Mom

to go with it.

I might interpret that as consciously trying to step back and look at a situation with multiple aspects/possibilities in a cooly detached way, seeing the beauty of all the possibilities, while beneath this was a seething mess of desire and fear of the unknown.

How lucky I might (or might not) feel when this turned up as my card of the future, Burning Down the House

“Burning Down the House” –

As I like to remind people who turn up “The Death Card”,

in the metaphorical world of fortunetelling, this is not necessarily a bad thing…

 

What’s going on?

water  pastels 2605 gibi

This is the latest of my ‘water oil pastels’ – water scenes, done in oil pastels.

The scenes are imaginary, a combination of photographs I’ve taken to use as ‘sketches’ and imagin-A-tion.

In the case of these drawings/paintings, this means that you are not the only one who doesn’t know exactly what’s going on.

Neither do I.

And, interestingly, neither do they.

 

 

Oleanders

The oleanders by the side of our house/apt have just started to bloom! It’s late, I know, but we don’ get so much sun on us (a Good Thing for an Aegean summer), and our oleanders are probably not looked after as well as they should be. We only have a few – just enough for some color and shade.

We’ve got the kind with ‘single’ flowers – in white

Zakkumda Kus Detayi 2 (Bird in Oleander Detail 2)

and then we’ve got the kind with ‘double’ flowers – in pink.

Bird with pink oleander

I’ve been waiting for them to come out to do some more painting – but the Princesses are still taking up space in my ‘outdoor studio’ and the so-called ‘construction ban’ apparently hasn’t started (at least no one’s told the builders next door – and they’re almost done, so let them finish – please, lord…)

This means I should be in the ‘indoor studio’ working on some more ‘water drawings’.

For more paintings of oleanders, have a look at these mixed-media pieces from my exhibit at the now-defunct Ayna Gallery from a few years back.

Indolence…

water pastels boat trip 070516

It’s the lazy season around our house these days.
Next door there’s banging – lots of loud, house-building banging – which is unfortunate, because it’s just the time of year when my ‘outside studio’ is at its most pleasant.

The banging (and the occasional excruciating whine of metal slicing through metal) has been a good excuse for not carting the princesses up to the roof and buying a new piece of plywood to replace the studio table-top that rotted away in the winter rains – the two things that would need to happen to get the ‘outdoor studio’ functioning. But I’ll get it together before the summer heat makes the ‘indoor studio’ the less pleasant of the two workplace options. Right now I’m very happy inside – especially since my discovery of a few pieces of Canson in a lovely shade of blue at my local stationery store, just after I managed to rescue a new order of Sennelier pastels from the Customs…

So I’m enjoying – thoroughly enjoying – making more ‘water drawings’.

And I’m very pleased to say that the two most recent drawings are of ‘swimmers’ rather than ‘drowners’. (Although I am slightly worried that there might be an imminent shark attack below…)

water pastel 070516 swimming lesson shark

“Shoot the Artist at the Right Moment”

There’s some saying I heard once somewhere about how to create a masterpiece:
“Shoot the artist at the right moment.”

Basically, what that’s saying is that artists tend to overwork, never know when to quit, and in the process of going after perfection, end up fucking things up.

I was in the studio yesterday for the first time in what seems like ages (drawing table having been taken over by sewing materials, as it were), and after a couple of minutes, I stopped working, and this is what I saw:

water pastel 300416a

And  I had to work hard – really hard – to stop there.

I actually felt guilty that I could have finished a drawing so quickly. I felt like I was cheating if I didn’t keep going. A mix of Jewish guilt and Protestant work ethic and the sense that I was somehow getting away with something.

Luckily, I managed to overcome all this. Because this is one of my favorite water pastels of all the ones I’ve done so far (series – A4 paper – check out earlier posts if you like).

I’m not sure if I managed to maintain the same sense of spontaneity in this one:

 

water pastel 300416b

Luckily, I had to go cook dinner….