Valentine’s Day Open Studio

little wc books 3 f

So, a friend of mine mentioned an artist she read about who was trying to survive on donations she was soliciting as a means of support for her art-making. I’m guessing that if she’s doing this through a crowdfunding web site, she’s “giving away” pieces of artwork as “gifts” to the folks making these donations. I suppose that was what I was doing when I put the Ottoman Princess fundraising campaing on Indiegogo. It allowed me basically to pay the costs of making an installation piece that is not “saleable” by getting support from people who were ostensibly “buying in” to the concept/aim of the Princess Piece.

For Valentine’s Day, I thought I’d just go the route of crash commercialism – in the spirit of the holiday – and open up my studio for people who might want to browse… and shop.
And maybe get a glass of pink wine as well. (In Marxian terms, I suppose a glass of pink wine and a little notebook could be considered equal in exchange value.

little wc books 1 f

Or is it use value? I never was a very good Marxist.

On the other hand, I’m pretty good at telling fortunes, which I found to be a very good way to get people to look carefully at art.

dur

And so I’ll be doing that at the Open Studio this Saturday as well. No charge.

I suppose I could take a line from one of those fake gypsys in their below-the-sidewalk lairs and announce, “I see a beautiful work of art entering your house to make you very happy…”

And then invite someone to look at this marvelous wardrobe, handpainted with an image from one of our favorite beach retreats, and announce that I do commissioned furniture pieces as well…

DEBORAH_DOLAP_2

But mainly, the Valentine’s Day Open Studio is just a way to catch up with old friends

Deborah 2a

and get better acquainted with some new ones

Water Pastel 090216

Happy Valentine’s Day!

(For directions to the studio, just leave a comment, and I’ll get back to you.)

Titles, a Thought Experiment.

Water Pastel 150116_bSwimming in the Aegean

Today I thought I’d post some more drawings. I’ve been really enjoying working with oil pastels again. I’ve been able to do that thanks to a big piece of turquoise fake fur that I’ve turned into a curtain to keep the cold air out of the studo. Its almost like looking out into the turquoise-blue Aegean… ok, not really…

But from the pictures here it should be clear that we are looking out at the sea – or at least at water: you wouldn’t know it was the Aegean (or any sea, for that matter) unless I did something like title the painting ‘Swimming in the Aegean’, or something similar.

In fact, I hadn’t thought about titles for these drawings until I went to save the digital photos on the computer, which prompted me to ‘Save as.’

So I saved them as Water Pastel (date, a-z).

And I got thinking about the problem of titles again.

I’ve always hated when paintings are ‘titled’ Untitled. It seems to me such a breach of responsibility. One could argue, on the other hand, that a title gives to much ‘direction’ to the viewer, instructing them on exactly how to look at the work. In fact, I vaguley remember there having been times when I have used the strategy of not titling a piece because I wanted to let people find their own way into a work. Most of the time, however, I like to give some kind of instruction – althogh maybe ‘instruction’ isn’t the right word – maybe a title is more like identifying a field – like in charades, when you say (or sign) ‘film’, or ‘book’, or ‘whatever’ to let the other members of your team at least know what ballpark you’re playing in…

In other words, instead of just calling the drawing up above Water Pastel 15.01_b, I could have given it the title, Swimming in the Aegean.

Would that have changed how you looked at the piece?

I think it would have. Although I hate people who go to an exhibit and go straight to the little title card hanging next to a piecce before they look at the piece itself, titles can be very helpful in providing information that can bring a new or different understanding to how you see the work. Sometimes in very surprising ways.

So, let’s try a little experiment:
Here are some of my new oil pastel drawings, with some new titles…

Water Pastel 150116_b
Swimming in the Aegean

 

Water Pastel 150116_a
First Swim of the Season

 

 

Water Pastel 170116_a
Surfs Up

 

Water Pastel 170116_b
Making Waves

 

Water Pastel 150116_b
Look Before Crossing

 

Water Pastel 170116_b
One Down…

 

Water Pastel 170116_a
Drowning Migrant

 

Water Pastel 150116_a
Lonesome 

 

As always, your feedback is appreciated.

 

My Holiday Presents to You

As the media reports on Black Friday pointed out so emphatically, the holiday season is upon us. Need I list them all? I don’t think so…

If you’re among the anxiety-prone and you’ve already begun fretting over the proper response to ‘Merry Christmas’ (as I get wished in Turkey) if you aren’t Christian (I’m not), or ‘Happy Winter Solstice’ (as I get wished in Facebookland) if you aren’t Pagan (I’m not…sure…), then take heart in the advice I read the other day:

Don’t worry about making any ‘corrections’, and certainly don’t get into a politically incorrect huff, just say,’Same to you.’

So, to warm you up with some holiday cheer – especially those of you who have already gotten out your winter woolies – here are a few modest little watercolors that I did on the way to and from Adana in September-October before Harun and I left for New York…

and have a very happy and merry Same to You.

 

 

Datça-İncekum 2Datça

 

Datça-İncekum 3Datça

 

Datça-İncekum 4
Datça

 

Outside Göcek 1Outside Göcek

 

Outside Fethiye 2Outside Fethiye

 

Outside Fethiye 4
Outside Fethiye

 
Outside Fethiye 5
Outside Fethiye

 

Outside Fethiye 6
Outside Fethiye

 

Outside Fethiye 7Outside Fethiye

 

 

Outside Fethiye 8Outside Fethiye

 

Outside Fethiye 10Outside Fethiye

 

Wisteria Books

So, I made these books last month, see?

little wc books 3 blittle wc books 3 f

Back when the wisteria was in full bloom here in Bodrum.

Here we call it “Mor Salkım” – in other words, “Hanging Purple”.

Boy, it was just hanging all over – I even followed Fadime’s advice and made some Wisteria Jam –

believe it, or not.

little wc books 4 flittle wc books 4 b

I just collected a bunch from my friend’s wisteria vine – which I sat in front of all day drawing,

back on one of the first nice days of spring/summer.

And I had such a good time making these little notebooks (fronts, backs, and in-betweens),
I thought I’d make some more.

So I went down to the seaside to draw.

little wc books 1 f little wc books 2 b little wc books 2 f

That was back just before ‘the season’ started.

That is the most deceptive time of year.
So many of us out there, artists, trying to figure out ‘what to make to sell to the tourists.’Frankly, I make some pretty nice stuff. But as any successful salesperson will tell you,
‘A good product is not enough.’

And as I could tell you, (and often have, probably), I lack the ‘salesman gene’. (I mean, check out
my Etsy Shop; no, wait: I haven’t gotten around to maintaining that since… wait, I’m thinking, since…)

Well, I guess I was just having such a good time making these little books, and I thought they were

SO NICE,

that I just ‘plum forgot’ that I’d likely never be able to sell them – or at least not at a price that
would make it worth my while to sit down and make ’em as ‘business’. Fun is fun, and making a dozen or so
little notebooks for no money is fun; but making like a hundred or so? No Fun.

So, now, I’ve got these little notebooks, see?

little digiprint notebooks 1

And I’ been thinkin’, I ain’t gonna make any more of them, see?

little digiprint notebooks 2

So – should I give them away as presents? (Could do…)
Or should they get themselves turned into an installation, somehow? (Could do…)

If I sent ya a notebook, would you write in it? (Maybe…)
Maybe even send it back to me so I could read it? (Maybe…)

Hmmm….

Number 10

It is the time of year where it is warmer outside the house than it is inside the house.

Still, it is not quite painting weather (the blessed shade is less blessed in April than in July), so instead of getting back to the Water Paintings (or following up on the urge to begin some Wisteria Paintings), I finished up another ‘Column Collage’.

Because the pieces are only 10 cm wide and about 70 cm long, with a lot of detail throughout, they don’t really lend themselves to being viewed on the computer. But I can show you the top, the middle, and the bottom separately…

The TOP:

Suburban Wilderness topWhat we’ve got here is: some sequins cut from an old exhibition poster, part of an oil pastel drawing of sky, some black paper I cut in fringes to match the fringes from a picture of a ‘puffy pillow’ from an old exhibition (Nu:Nar) and in between a watercolor drawing on very thick tracing paper, some more sequins, the edge of the ‘puffy pillow’ picture that shows the beaded seam on the edge over the gold leaf, a bird I cut from a business card (original bird was a painted piece of wood from another painting -the collage got an addition of a yellow breast), an ink-jet print of a photo from Avanos that I printed on Japanese rice paper (and glued down backwards), a bit of a garden watercolor, a bit of a watercolor and ink drawing of an old Chinese cauldron, and a bit more of a watercolor and ink landscape.

The MIDDLE: 

Suburban Wilderness middleAnd what you’ve got here is: more of that bit of watercolor and ink landscape, some photos of some very damaged pavement photocopied (the photos, not the pavement) on light blue paper, a little bit more garden landscape, a drawing based on another drawing of a Hittite clay object from the Museum of Anatolian Civilization in Ankara, a red flower from part of a design for a mosaic tabletop, some bits of an old drawing (red and gold leaf) and photocopies of old sliver leaf-coated drawing paper from another piece (from nearly 20 years ago!), a map of Long Beach (I had planned on using in a collage for the installation Homesickness, but never did, and the back of the poster that had the sequins on it.

The BOTTOM

Suburban Wilderness bottomAnd finally what we’ve got is: some more map, some more birds, some more poster-back, some more pavement, a bit of watercolor ‘gift-wrap-paper’, a pastel drawing of a bit of oleander, a photocopy of bugle-beads that were sewn onto an earlier painting (from 15 or so years ago!), and (‘a partridge in a pear tree’ – no, just kidding) a glimpse of the uncovered surface of the marble-patterned paper that everything else gets glued onto!

This post is titled Number 10 because this is the 10th of the ‘Column Collages’ I have been making using the paper leftover when I cut the paper for the Water Paintings. I titled this one ‘Suburban Wilderness’ – Suburban because Long Beach (and Bodrum) is suburban – otherwise it would have been titled Urban Wilderness – because ya gotcha animals, ya gotcha pavement cracks, etc.

Sometimes I wonder where the images come from – and sometimes people ask me what I was thinking about when I made something – and I think the answers to these questions are : ‘I got a lot of stuff hanging around’ (in other words, the images are all recycled from someplace else – so that I can save resources by using up all the paper I have collected over the years); and, ‘don’t know, whatever…’

Women in Art

The following  pictures are from the installation titled ‘2000 Women’ from 2000 that featured 2000 drawings of naked women. The drawings were all copies of about 7 classic nude images from artists ranging from Reubens to Degas.

After the exhibit, I thought that a better title might be ‘Backfired’.

2000 women installation shot
(unfortunately, best resolution I’ve got – sorry…)

That’s because the original intent of this piece – together with ‘Nü-Nar’ (‘Nude-Pomegranate’), another installation in the British Council’s gallery in Ankara – was to raise the issue of the commodification of women through art.

With 2000 women, I thought that the entire piece would turn into a giant abstract work that would in some sense supersede the individual drawings (200 per month over a 10-month period, 50/week, Mon-Friday, 10/day). In a sense it did, but in a sense, it did not. Horny men still expressed the most interest in the big-busted blondes, whereas they had less appreciation for well-drawn feet and faces.

I thought I would post these today, 4 days after a young woman in the southern Turkish city of Mersin was murdered by a would-be rapist.

The first photo below is another exhibition shot, but the next 2 are pictures of some tea trays I decorated using parts of some drawings that had been in the exhibition. Over the weekend, I had a box of about 200 of the drawings on sale at an open-air Bazaar in Turgutreis that hoped to breathe some life into the dead downtown of a tourist trap in winter and earn some money for some women trying to improve their economic circumstances.

Money – Sex – Violence – Power.

These are the things that ‘art’ messes with.

In the meantime, my husband and I happily celebrated Valentine’s Day with a dinner out on the town:
I’d rather celebrate love than excoriate hate.

Let’s see how to ‘tag’ this one, folks.

 

2000 women detayi fuzzy

 

Tray- Caryatids

tray - angel w winged bowl

 

 

More long, tall art

As is wont these days, I will begin with full disclosure:

These pieces are from last week.

Column Collage_Early Gardens         Column Collage Hittite Mommy

Since then, I’ve spent my time on

1. ‘engaging in paid work’ (boring);

2. developing a project (not boring, but definitely more left-brain than studio work);

3. visiting (sometimes I like to do that); and

4. (starting yesterday,) being cold.

But I must have hit a button on the computer that allowed Facebook to reassess its mystical algorithm, because I’ve had some people noticing the last couple of art-related posts, i.e., the top parts of these 2 pieces – ‘Early Gardens’ and ‘Hittite Mommy’ – both from my ‘Column Collage’ series.

Because they are so long, along with the full piece, I like to post the parts, so that you can see the details.

So, below, here are the top (again), middle and bottom of ‘Early Gardens’, followed by 5 segments (from very top to very bottom) of ‘Hittite Mommy’.

 

Column Collage_Early Gardens-Top

Column Collage_Early Gardens-Middle

Column Collage_Early Gardens-bottom

and…

Column Collage Hittite Mommy Top

Column Collage Hittite Mommy second from top

Column Collage Hittite Mommy Middle

Column Collage Hittite Mommy second from bottom

Column Collage Hittite Mommy Bottom

As always, feedback is welcome 🙂

 

Homesickness (Sıla Hasreti) Installation

Homesickness (Sıla Hasreti) Installation

title

 

Homesickness (Sıla Hasreti) is the name of the installation I created with collaboration from a lot of other people, including

Deniz Defne Acerol (sculptures)

Hope Holtzman (tapestries)

26 students in the 4th-grade class of Jale Toprak, a teacher at Akyarlar Elementary school, whose students I have known since they were in the 1st grade,

and artists from Turkey (Istanbul, Balıkesir, Antalya, Bodrum), Spain, Iceland and the US, who sent original mail art that arrived via traditional post n time for the exhibit, which was held at the Şevket Sabancı Culture Center in Turgutreis-Bodrum from 18-28 November 2014. You can download the catalog here:

Sıla Hasreti Homesickness PPS Catalog

Anyone interested can also contact me for the audio file of students reading their poetry (in Turkish).

Below are some more pictures from the exhibit.

You can also view the mail art one by one by clicking here.

DSCN0117

The sand is from Long Island, the Old Bay seasoning is from Baltimore, the tapestries are from Dereköy and the drawings from Akyarlar.

inst8

The lonely kitty is from Deniz in Istanbul.

 

 

inst7 The photographs and wine cup are from Avanos.

 

inst12

The tapestries are Hope’s from Dereköy

St Louis - Whoopee Bowl

The drawings are of all the places I’ve lived and miss – from St. Louis…

 

 

Aachen - portcullis

to Aachen…

Brooklyn  - Carroll Gardens Neighbors

to Brooklyn.

 

 

A Little Lake

Just a few small watercolors from NY, trying to capture the changing of the leaves all around the edges of the lake.

Fahnestock 1

Next year, I will try not to break my ankle before the fall foliage season begins, and maybe we will have some more paintings.

 

Fahnestock 2

This year, it was abut all I could do to hobble down to the edge of a little lake in the woods at the southern tip of Fahnestock State Park in NY.

Fahnestock 3

The good news is that the cast came off today, and we are having a few days of ‘Pastrami Summer’ here in Turgutreis, so I’m hoping to be standing up a little bit to do some more work on ‘the water paintings.’

But mostly I suppose I ought to be getting ready for the ‘Homesickness’ exhibit I’m opening up on 18 November at the Şevket Sabancı Cultural Center in Turgutreis (Bodrum). For information on joining the International Mail Art Exhibit, and seeing some of the work that has arrived,

click here

but do it fast, because there’s not much time left. For information on my installation, stay tuned…

 

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La Mer

La Mer

Back we are, at Kissebükü.

But are we on the shore under the umbrella, or are we on “La Mer”?

A8 La Mer

I had a very hard time with this painting. It just did not know what it wanted to be.
As a result, it went through several stages before it was finished (and silly me forgot to photograph them!).
Finally, it is finished. If you consider a painting without a title finished.

Personally, I think titles are very important for giving insight into what is going on in the work. In this case, I am having a very hard time finding a title, because I am still not sure what is going on in this work! I’ve given it the tentative title of “La Mer” – for “La Mer: The Boat” as well as for “La Mer: The Sea”

70x70cm, oil on paper.

If you think you’ve got a better title, please share it with me.

Thanks!