Heads UP!

Blog reader, be(a)ware:

Next week (god willing and the creek don’t rise) I’ll be launching an Indiegogo campaign to fund printing of a limited edition of ‘Art Fortunes’.

For those of you who missed them, here (and here) are links to some posts explaining the ‘project’ (‘work’), which involves making collages and sharing interpretations of them through ‘readings’ – a series of one-on-one relationships that involve an art maker (me), art objects (the collages), and an audience (a person seeking to have their fortune told). In other words, “Art Fortunes” looks like fortunetelling, but it’s also art!

While I’m continuing periodic ‘readings’, I’m also expanding the project/work to include a limited edition of 60 “decks” of 52 “Art Fortunes” cards printed from the original collages. I’ll post the link to the Indiegogo campaign when I have it so you can check it out and share it with others. In the meantime, if you’ve got any questions, just drop me a line…

Art Fortunes cards in box

Women in Art

The following  pictures are from the installation titled ‘2000 Women’ from 2000 that featured 2000 drawings of naked women. The drawings were all copies of about 7 classic nude images from artists ranging from Reubens to Degas.

After the exhibit, I thought that a better title might be ‘Backfired’.

2000 women installation shot
(unfortunately, best resolution I’ve got – sorry…)

That’s because the original intent of this piece – together with ‘Nü-Nar’ (‘Nude-Pomegranate’), another installation in the British Council’s gallery in Ankara – was to raise the issue of the commodification of women through art.

With 2000 women, I thought that the entire piece would turn into a giant abstract work that would in some sense supersede the individual drawings (200 per month over a 10-month period, 50/week, Mon-Friday, 10/day). In a sense it did, but in a sense, it did not. Horny men still expressed the most interest in the big-busted blondes, whereas they had less appreciation for well-drawn feet and faces.

I thought I would post these today, 4 days after a young woman in the southern Turkish city of Mersin was murdered by a would-be rapist.

The first photo below is another exhibition shot, but the next 2 are pictures of some tea trays I decorated using parts of some drawings that had been in the exhibition. Over the weekend, I had a box of about 200 of the drawings on sale at an open-air Bazaar in Turgutreis that hoped to breathe some life into the dead downtown of a tourist trap in winter and earn some money for some women trying to improve their economic circumstances.

Money – Sex – Violence – Power.

These are the things that ‘art’ messes with.

In the meantime, my husband and I happily celebrated Valentine’s Day with a dinner out on the town:
I’d rather celebrate love than excoriate hate.

Let’s see how to ‘tag’ this one, folks.

 

2000 women detayi fuzzy

 

Tray- Caryatids

tray - angel w winged bowl

 

 

What’s Going On In My World

What’s Going On In My World

And the totals are in!

OK, actually, I did not really do any quantitative data analysis – not in the spirit of fortunetelling, I don’t think; however, it did strike me as odd that the people who came to the Art Fortunetelling sessions (see here for details) kept turning up the same cards.

What are the odds that some cards would be turned up 3 times and others none at all?

I don’t know.  (Ask a statistician or a mathematician or some other kind of ician if you are really interested.)

All I can do is let you in on which cards turned up 3x :

The Journey

yolculuk

 

The Runner

kosacı

 

The Nurse

hemsire

 

Stop!

dur

 

Balance

denge

 

The Golden Ball

altıntop

 

Four Cauldrons

4kazan

Considering that the meaning of each card depends on the other cards in the reading,  and that all readings are subjective, I can’t give a hard-and-fast explanation of what these mean.

Best to just look at them and ask yourself the question that you might ask yourself in the presence of any work of art:

“What do I see here that tells me something about what is going on in my world?”

18 December in Ankara : International Migrants’ Day / Homesickness (?)

If you’re in Ankara, I’d love to see you…

On the occasion of “18 ARALIK ULUSLARARASI GÖÇMENLER GÜNÜ”,
the Bodrum Kaymakam’s Office invited me, along with 4 other ‘yabancı‘, to attend an evening event at the
Vali Galip Demirel Vilayetler Evi / Gölbaşı-ANKARA.
We’ll be showing off the contributions to society made by the Migrants of Bodrum… I’ll have the soundtrack and drawings frommy recent exhibit ‘Homesickness/Sıla Hasreti’ (along with other stuff…). For more on that exhibit, along with a slideshow, you can look under the heading ‘Installations’ (or click here).

DSCN0124

Look Into My Crystal Ball (…er, collage…)

Look Into My Crystal Ball (…er, collage…)

It’s close to the end of another calendar year – what a better time to give a good once-over to the studio, getting all those papers in order…

or at least clear off enough work space so that I can get back to work.

First up: a watercolor drawing for the Emanetçiler web page.

And then finish off a couple of new collages.

And speaking of collages, I thought I’d engage in a little experiment on the cusp of 2015:

Sanat Fali

 

Yes,  inspired by the response to my coffee-cup readings at the Yerleşim Cafe way back when, I decided it was time to get back into the fortunetelling business – this time, with art.

Why not? We’re used to looking closely at a work of art to try to discover the layers of meaning hidden in its deepest, darkest recesses – aren’t we? (Well, aren’t we?)

So, I devised a basic system of telling fortunes from collages – starting with a basic ‘pack’ of 52 ‘cards’. For example,

The Three Trees

Trees

and

Pointy Objects

Pointy objects

And of course all readings are free.

Happy Holidays!